Works on Paper

Drawing has always been Richard’s most important medium. In his words: “While making prints, I fell in love with fine handmade rag paper, and made the early decision to work only on good paper. Fine paper is sensual and respects the ink and color.” These works range across acrylic, charcoal, India ink and ink wash, pastel, colored pencil, watercolor, lithography, etching and monotype. What they share is that they are all works on paper.

Ink Drawings

“I believe the most fundamental skill a visual artist must develop is the ability ‘to see.’ Drawing from life creates a link between hand and eye, and between the outer world and our perception of it. I like to draw in ink because I can’t erase, so I depend on contour drawing to help me be there to see and feel, trusting my hand and eyes rather than my head, to produce what I call a Living Line, one that captures the character of the moment.”

Monotypes

“I have been making monotypes for over 50 years. It is one of my favorite mediums, because it is easy to add ink or wipe it away, allowing images to quickly evolve, appear, disappear and transform, opening the door to the unknown. Monotypes are the perfect marriage of painting and printmaking: I work in full color directly on the plate, yet the prints have unmistakable qualities that can only be achieved by printing the image on paper.”